Hera Syndulla (
for_everyone) wrote2018-07-23 11:20 pm
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There's a new painting on the right wall. Hera is waiting in the office, seated in the chair she always sits in, hands folded in her lap. Very still – her fingers don't fidget, her feet don't swing. She's finally grown enough that her toes comfortably touch the floor. Only her eyes flicker, down to her hands, and then up again, to the right wall, to the new piece of art that hadn't been there before.
To her eyes, it's a strange collection of rectangular shapes, among which she can barely make out what looks like a head, a neck, shoulders. Maybe arms. She counts the colors, white, blue, black, beige, lighter blue, darker blue. She perceives something that reminds her of light, light through a window, so that it makes bright squares on the floor that mingle with the shadow around it. She knows that it's Terran art. The head and neck and shoulders don't have to belong to a Terran, and yet, she knows. It's the kind of art he would have. And there was art like this, in the house, before –
She stops her thoughts at that, goes back to counting colors. Gray, like steel. Orange, a light orange, like rust.
He wouldn't make her wait if he didn't have to. She knows that. She feels no impatience, not even any curiosity as to why he called her in. There's always a reason. And with nothing else to occupy her, she sets her focus on memorizing this painting, just as she has memorized every other object and corner and space of this office.
Pale yellow. Dark green. Maybe, around those shoulders, the back of a chair.
To her eyes, it's a strange collection of rectangular shapes, among which she can barely make out what looks like a head, a neck, shoulders. Maybe arms. She counts the colors, white, blue, black, beige, lighter blue, darker blue. She perceives something that reminds her of light, light through a window, so that it makes bright squares on the floor that mingle with the shadow around it. She knows that it's Terran art. The head and neck and shoulders don't have to belong to a Terran, and yet, she knows. It's the kind of art he would have. And there was art like this, in the house, before –
She stops her thoughts at that, goes back to counting colors. Gray, like steel. Orange, a light orange, like rust.
He wouldn't make her wait if he didn't have to. She knows that. She feels no impatience, not even any curiosity as to why he called her in. There's always a reason. And with nothing else to occupy her, she sets her focus on memorizing this painting, just as she has memorized every other object and corner and space of this office.
Pale yellow. Dark green. Maybe, around those shoulders, the back of a chair.
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"Good. This game is not particularly well-suited as an actual metaphor for battle, but as a way to practice understanding your opponent it is very nearly unparalleled."
He pauses, hand hovering over one of the white pieces.
"But not, I think, tonight. You'll need time to think about a new strategy."
As well as to consider what she imagines Thrawn's might be, he's sure.
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But again, she just says, "Yes, sir."
And then she lifts herself up, leaning over the board again, but now to help collect up the pieces, and replace them in the box.
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"This time. Quite likely the time after this, as well."
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"I'm not - shamed," she says, with some hesitance as she chooses how to reframe the word in Sy Bisti.
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There's an inquiry in that, and in the raised eyebrow that accompanies it.
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"I'm frustrated."
It's different.
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He considers her for a few moments, scarlet eyes glowing faintly. And after a moment --
"It is not most pleasant of feelings, but practice in not allowing frustration to drive your actions is always useful. Much as I, myself, dislike it at times."
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"I understand," she says, again.
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"Are there any questions you have for me at this time?"
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"How did you know what I was going to do?"
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She pauses, pressing her lips together as she thinks.
"An example."
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It makes sense, but she has a feeling like she already knew most of it. She thinks over his words again, about how to ask -
"Because I'm a Twi'lek."
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Thrawn's smile is thin.
"My own people -- the Chiss -- tend toward appreciations of hierarchy. Some might even call it 'slavish devotion' to the concept."
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And she's less hesitant to move on to the next -
"Because I was a slave."
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"Caution, again, but also a late-game recklessness, an attempt to win at any cost."
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She stays like that for a few lingering moments, waiting like she thinks he might speak again. But then her eyes fall again, and she only nods.
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Understandably so, but still.
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"I'm not afraid."
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If that is, indeed, true --
"Interesting."
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"No."
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All feelings have their place, though a rational mind ought to govern the response. Or so goes Chiss philosophy -- or perhaps only Thrawn's.
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"I'm not afraid of going back," she amends.
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"I understand, I think. Having already found the path out, you are certain of your ability to find one again, should there be need."
Or something like that.
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