for_everyone: (for everyone)
Hera never brings him food herself. She does usually help prepare it – she has a better sense of the Terran diet than most, and when it comes down to it, she doesn't fully trust the others not to poison a meal they know is going to their half-Terran 'guest.' But she always finds someone she does trust to take it into him. And then, at first, she'd waited, leaving him to eat alone before she entered his room.

She kept to the first. But the second, she gradually eased. Hera remembered how total her isolation had been, and what had eased in her when she'd grown used to sharing meals. That was something she could do, even if she wouldn't serve him.

So the time she waits becomes shorter and shorter. Until today, when it's only a few minutes after seeing Muroc exit the makeshift cabin that she approaches. She nods to the guard, and then though she doesn't have to, she knocks on the door. She doesn't wait for an answer before entering the room.
for_everyone: (child)
There's a new painting on the right wall. Hera is waiting in the office, seated in the chair she always sits in, hands folded in her lap. Very still – her fingers don't fidget, her feet don't swing. She's finally grown enough that her toes comfortably touch the floor. Only her eyes flicker, down to her hands, and then up again, to the right wall, to the new piece of art that hadn't been there before.

To her eyes, it's a strange collection of rectangular shapes, among which she can barely make out what looks like a head, a neck, shoulders. Maybe arms. She counts the colors, white, blue, black, beige, lighter blue, darker blue. She perceives something that reminds her of light, light through a window, so that it makes bright squares on the floor that mingle with the shadow around it. She knows that it's Terran art. The head and neck and shoulders don't have to belong to a Terran, and yet, she knows. It's the kind of art he would have. And there was art like this, in the house, before –

She stops her thoughts at that, goes back to counting colors. Gray, like steel. Orange, a light orange, like rust.

He wouldn't make her wait if he didn't have to. She knows that. She feels no impatience, not even any curiosity as to why he called her in. There's always a reason. And with nothing else to occupy her, she sets her focus on memorizing this painting, just as she has memorized every other object and corner and space of this office.

Pale yellow. Dark green. Maybe, around those shoulders, the back of a chair.
for_everyone: (Default)
The advantage of Hera's typical technique is that it's controlled, and understated. She draws as little attention as possible to the act while she's carrying it out, giving her time to plant evidence and leave the area before most have even realized what has happened. But, once in a while, a particular job calls for a little more showmanship than this. Her work is never supposed to leave any uncertainty as to what it means, and who is behind it. But sometimes, there can also be value in sheer brazenness.

Which means that Hera's most recent target, Captain Orfanidis, was stabbed in the chest in his own quarters aboard the ISS Laran. At least the follow-up requires slightly less work – Hera doesn't even bother hiding her weapon. She hopes they find it. She hopes they find her DNA on it. She hopes they know exactly who did this, and that they walk in fear of when she'll do it again.

But if she plans to do it again, it also means she has to get away. Which is why she waits just long enough to ensure Orfanidis is dead before she drops her blade, and checks her time, before she steps back out into the hall. The moment she does is just as the ship's assigned cleaning "staff" is passing through. They're all wearing shock collars, so that they don't need a monitor, and are dutifully keeping their eyes down. Already disguised accordingly, it's easy enough for Hera to step in among them, and walk with them as they pass through the staff quarters.

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Hera Syndulla

September 2023

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